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Showing posts from October, 2020

McCully/Mackay album announced

We are happy to announce that their album title is  The Unicorns are Screaming .  Tully McCully (Terence McCullagh) and Gordon Mackay have come together to create a new album project of their kind of music, Progressive Rock. Terence is a multi-talented artist, with years of production and performing experience. Gordon is a classically trained keyboard player who moved into jazz and rock. The two had performed together in rock bands and when Terence decided to start work on a solo project, Gordon was the obvious choice for the keyboard sessions. As the project progressed, they realised that they should also write music together. The result is that Gordon contributed to three songs to the album, one of which is all his composition. Terence wrote seven tracks alone. McCully and Mackay - pics, L McCullagh and L Mackay   Some time ago, Terence sold his successful recording studio business and built a dedicated studio in his Cape Town home. There he could create in his own time. We had work

Lesley Rae Dowling EP - Feat. Jonathan Butler.

So many good mixes to choose from. As the 2020 Lesley Rae Dowling (LRD) re-mix project moves onto the sixth release, we have decided we want to make the next release an EP; because we liked two very different mixes we and want to release them both. (c) 2020 Songwrights Publishers for Sea Records. This time it is the Jonathan Butler production of a somewhat overlooked track from the When the Night Comes album, called Love will be there . The new version is renamed, Love's gonna be there in the End.  Lesley wrote this song with her friend, Matt Haus. This is one of the few LRD recordings with none of her piano playing to be heard on the final release. Although she would have prepared the song with a piano guide, Jonathan simplified the main piano track and added layers of synths. Terence (Tully) McCullagh has done a major re-work of the song by taking out a lot of the keyboards and adding several guitars along with featuring Jonathan's guitar tracks more prominently in the new