Skip to main content

Karoonag EP celebrates 40 years of Coenie's signature song

 Digitally remastered and sounding as fresh as the day it was recorded - forty years ago!

At what point does one refer to a song as a standard? Perhaps if after 25 years it is still on the "turntables" of the radio stations?  When a song has been covered by numerous artists? Then Karoonag composed by Coenie de Villiers is a Afrikaans music standard.

Reworked artwork from Coenie's debut album, Skoppensboer.

It was first recorded (on analog 2-inch tape) in Cape Town by a young engineer, Kevin Shirley and produced by Paddy Lee-Thorp in Spaced Out Sound Studios.  Coenie de Villiers was also the singer and musical arranger. 

The track was a bit of a sleeper hit. Not until a follow-up recording of Kring om die Maan got radio attention almost ten years after the release of Karoonag, did fans of Afrikaans music fully discover the gem hidden on his debut album. 

Today Karoonag is his most requested song on streaming platforms from Canada to New Zealand, wherever South Africans (SA) have moved to, and on radio especially in SA. This is not only because of the musicality of the work but also because of the emotional rendition Coenie gave in the studio in that autumn of 1981. He has re-recorded the song a number of times with different arrangements, but the original remains the favourite.

The vivid text, a poem on the subject of the the night in the semi-desert region of southern Africa, is beautifully highlighted by the performance he gave. 

We have re-mastered the original version for this release as well a live version he recorded some years later. In addition we have include an edited version of the inspired instrumental intro for the song he recorded live. The edit, titled Karoonag (Hantam Edit) also shows the brilliance of Coenie as a piano player.

The EP (single) collecting the three tracks will be released to digital platforms (download and streaming) on his birthday, the 11th of October. Happy birthday Coenie.

Links to the EP > https://orcd.co/jr69e71

Best of > https://orcd.co/kppd8rb










Mountain Records.


Comments

Popular posts from this blog

LTE Music Distribution

Updated 11/4/22 LTE Music Distribution   is a Music Distribution firm managed by service provider, Lee Thorp Entertainment.  Model -   As music distributor our model is to provide a low cost service to producers and labels who can do most of the marketing and preparation work themselves, utilizing our experience and contacts and systems to get their music to the different markets. Digital/Physical We offer a full digital distribution service for a flat percentage of all revenue we manage to be part of securing. Here are the basics. 1 -  No fixed costs on each release, no storage costs, no encoding or metadata management costs as well as a free full data service for your royalty accounting and trend data for marketing use. 2 - No long term contracts on catalogue repertoire unless required, rather with fixed term licenses on individual songs. However we reserve a limited option to one new song in the case of a new act from producers. 3 - If you don't have a ...

Tiny Magnetic Pets - New EP

 The Tiny Magnetic Pets from Ireland are a trio of players dedicated to an indie electronic music project. This release is their latest EP and will be available on the 23rd of May 2025. Here is their flyer for the release issued on their own Vitamin C Records label >     Music link  > https://orcd.co/4yyavye   LTE  Music Distribution            

New Tony Cox re-issue - Enormous Flowers

Acoustic guitarist Tony Cox has a number of different genre in his diverse repertoire. Enormous Flowers is a full band album of thirteen original songs in the Neo-Soul groove.  Produced by award winning producer Joe Arthur in Johannesburg some years ago, this record has been off the market for a while. It comes back for streaming on the 18th July 2025.   Photo for the re-issue sleeve Here a statement from the artist - After releasing several instrumental albums, Enormous Flowers marked a return to where it all began for me. In those early days, singing took centre stage—I was a regular at folk clubs, known more for my voice than my guitar. Over time, though, my focus shifted. Instrumental guitar music became my main outlet, and eventually, the vocals faded out altogether. Coming back to singing through Enormous Flowers was a deeply emotional and unexpectedly joyful journey. Collaborating with other musicians a...